- Over the shoulder shot of showing the wide setting and the character himself shooting (7:00)
- Close up of police car windscreen smashing. (7:02)
- Pan of the side of the police car close up showing bullet holes in the door. (7:03)
- Cut to Robert De Niro shooting from face on at medium shot (7:04)
- Cut to track of character running and then stops for another over the shoulder shot of De Niro shooting (7:06)
- Cut to low angle shot of policeman shooting and his car taking up around 1/2 of the frame (7:08)
- Cut to low angle shot of the police car smoking and a police officer hiding behind the bulleted car door (7:08)
- Cut to medium shot of a camper van on the road which takes up the majority of the frame and shows someone getting in cover behind it. (7:09)
- Cut to dirty/unclear shot of person running behind cover however, you can only see the top of their head therefore, the audience don't know who it is. (7:11)
- Cut to longshot of bus and car door being closer to the camera on the left, also shows a man running across the shot. (7:13)
- Cut to Pan shot of De Niro running past a bus stop as the glass falls out of the advertising board (7:14)
- Cut to longshot of bus and car again however, the man is shooting back in the direction towards where the camera is (7:15)
- Low angled shot of De Niro shooting from behind. He takes up about 30% of the frame as it shows the damaged bus stop on the left and right hand side of the frame (7:16)
- Cut back to longshot of bus and close up of car door showing the gunman going back against the bus as he's just been shot. (7:17)
- Cut to medium shot of De Niro appearing to start to run away from the bus stop. (7:18)
- Cut to police officer in a medium shot face on to the camera hiding behind his car door for cover and attempting to shoot De Niro. (7:19)
- Cut to another medium shot of De Niro shooting back at the police officer, lasting for less than a second. (7:19)
- Cut to police officer appearing to be shot as the window smashes in a medium shot (7:20)
- Cut to pan of De Niro running and shooting. It zooms on his face as it pans. (7:21)
- Cut to medium shot of gunman on the left of the fame shooting back towards De Niro. (7:23)
- Cut to dolly on De Niro as he covers behind the car, shooting back. (7:25)
- Cut to canted framing (titled) of crashed police cars against each other smoking. Also shows a gun appearing in the right of the shot. (7:27)
- Cut to another robber shooting towards the police officers, a medium shot with cars behind him and a car in front, nearer the camera. Shows it from a side on view of him. (7:28)
- Cut to police officers dropping to the floor having been shot, a medium shot with the police car appearing to take up the whole frame. (7:29)
- Cut to another police officer. a medium shot with him in the left of the frame and a wall covering almost 75% of the rest of the frame as he realises another robber is nearby him and aims to shoot. (7:32)
- Cut to long shot of robber, as he gets shot in the head it zooms in becoming a close up and the camera follows him as he drops to the floor. (7:34)
- Cut to medium shot of De Niro realising his partner has been shot. The camera zooms on his face to show his emotions and reaction. (7:36)
- Cut to wide shot of the robber laying on the floor in pain as he's just been shot with cars covering the rest of the scene. (7:37)
- Cut to shot of police officer running from behind the wall as a medium shot as he tries to get towards the robbers (7:39)
- Cut to medium shot of the enemy of De Niro shooting, he is placed slightly to the left, off centre to show the rest of the setting in the background. (7:41)
- Cut to close up of De Niro as he starts to run towards his injured colleague. The camera tracks his head as he runs. (7:42)
- Cut to medium shot of De Niro running towards his injured colleague. Showing him on the floor and the background as well. The camera shows the back of De Niro as he runs (7;43)
- Cut to low angle shot of De Niro showing his body as he shoots towards the enemy, it shows the building also from a low angle in the background too, showing him as more powerful (7:44)
- Cut to canted framing of police cars piled up and being shot. These take up the whole frame (7:46)
- Cut to medium shot showing police car taking up the majority of the frame. The camera moves as the police officer taking cover behind the car moves out of cover to try and grab a gun (7:47)
- Cut to a low angle shot of the police car with bullet holes in the side and smashed glass (7:50)
- Cut to canted framing/slightly high angle of a police car with the door open and bullet holes covering it. (7:51)
- Cut to shot, reverse shot of De Niro and his helper as he attempts to pick him up from the floor and escape even though he is injured. Also shows a over the shoulder shot to help show the frame from De Niro's point of view when assisting him. (7:52)
- Fades in to close up of De Niro and his assistant as he picks him up over his shoulder. This shows the emotions and facial expressions the two are showing in this moment. (7:56)
- Cut to a two shot of the robbers with arms hooked over each other from a low angle. This shows the significance of the characters and the power they have as well as how strong their relationship is. (7:57)
- Cut to medium shot of the police officer as he is running after the robbers. The camera is looking back towards his face as he runs and is moving with him. This shows the emotion of him as he runs, a track shot. (7:59)
This film shows a lot of camera angles and shots within a very short space of time, making it so there is a fast paced tempo to the film and more intriguing for the audience to engage in.
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